Albert Ellis (2000) demonstrates with two volunteers. The first volunteer is angry and intimidated by her supervisors. Humor and imagery are incorporated. The second volunteer feels a need to control others and is angry when she can’t. Ellis uses imagery to correct cognitive patterns and produce an emotional shift.
Alexander Lowen (2000) demonstrates with Ann, who he used as a ten years earlier. She reports that since that first session she has been free of severe asthma attacks. She is now troubled by the death of her father and mother, abuse from her brother, excessive weight gain and the onset of menopause. Lowen guides her through a series of movement exercises.
William Glasser (2000) uses role-play with Marie who is simulating Paul, a male client from her place of employment. Paul has marriage problems. Marie, as Paul, is asked to role-play his wife. Glasser highlights choices, examines the client’s thinking, and focuses on responsible behavior. After the demonstration Glasser explains his work.
Zerka Moreno (2000) emphasizes the importance of spontaneity and creativity while demonstrating with Christi, who is asked to see her family photo and then construct it on stage using volunteers from the audience. These volunteers act as “auxiliary egos.” Following this demonstration Moreno plays all of the characters in a rolereversal she did with her 3 year-old son.
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Miriam Polster (2000) demonstrates supervision with Wendy, a clinical social worker who conducts therapy in the home. Polster’s supervision focuses on finding Wendy’s unique gifts and how these can be integrated into therapy. Next, Steve is working with a woman who has a history of bulimia and has threatened suicide. Polster follows this demonstration by explaining her work.
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Mary Goulding (1995) demonstrates with three volunteer clients. The first is disturbed because his mother did not spend much time with him during childhood. Next Dave is concerned about his distant relationship with his son. The third, Diane describes problems with her mother who is now a widow and overly critical. Goulding explains her work.
William Glasser (1995) demonstrates with a simulated client who is in an emotionally abusive relationship. This client is depressed and unhappy with her life. The goal of the first session is to focus on a behavioral change that can be accomplished as a first step. Glasser concludes with an explanation of the demonstration and of control theory.
Alexander Lowen (1995) demonstrates with John who is dissatisfied with his body. Through exercises, Lowen helps John use his body to express his full range of feelings. Lowen explains that he does not rely on the mind to change behavior because of its lack of power. Lowen expects the body to free itself. The demonstration concludes with Lowen’s elaboration on his work.
Ellis and Wolfe (1995) demonstrate with several volunteers. Beth, is troubled by her dominating mother. Ellis assigns a homework task. Next, Wolfe works with a volunteer who feels betrayed by her husband and brother. Ellis works with a second volunteer, Megan, who is ending a relationship with her boyfriend. Ellis uses imagery, confrontation and humor.
Aaron Beck (1995) selects a clinician to role-play a male client. The client, Mike, was abandoned by his wife after she had multiple affairs. Mike is a recovering alcoholic with a sexually transmitted disease who suffers from dating anxiety, childhood trauma, and feelings of inferiority. Beck demonstrates how to establish a collaborative relationship with the patient.