Eugene Gendlin (2000) demonstrates with two volunteers. The first is guided through feelings of tension in her shoulders and shakiness in her stomach. Gendlin conducts a second demonstration. The next volunteer presents the trauma of a hysterectomy due to cancer. Gendlin concludes with an explanation of his method.
James Bugental (2000) explains the importance of focusing on immediate subjective experiences. Bugental works with Glenda who is experiencing deep guilt about an upcoming divorce. Bugental addresses questions from the audience. A second volunteer explores issues surrounding her recent career change. Bugental explains his approach and answers questions.
Albert Ellis (2000) demonstrates with two volunteers. The first volunteer is angry and intimidated by her supervisors. Humor and imagery are incorporated. The second volunteer feels a need to control others and is angry when she can’t. Ellis uses imagery to correct cognitive patterns and produce an emotional shift.
Alexander Lowen (2000) demonstrates with Ann, who he used as a ten years earlier. She reports that since that first session she has been free of severe asthma attacks. She is now troubled by the death of her father and mother, abuse from her brother, excessive weight gain and the onset of menopause. Lowen guides her through a series of movement exercises.
Zerka Moreno (2000) emphasizes the importance of spontaneity and creativity while demonstrating with Christi, who is asked to see her family photo and then construct it on stage using volunteers from the audience. These volunteers act as “auxiliary egos.” Following this demonstration Moreno plays all of the characters in a rolereversal she did with her 3 year-old son.
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William Glasser (2000) uses role-play with Marie who is simulating Paul, a male client from her place of employment. Paul has marriage problems. Marie, as Paul, is asked to role-play his wife. Glasser highlights choices, examines the client’s thinking, and focuses on responsible behavior. After the demonstration Glasser explains his work.
Miriam Polster (2000) demonstrates supervision with Wendy, a clinical social worker who conducts therapy in the home. Polster’s supervision focuses on finding Wendy’s unique gifts and how these can be integrated into therapy. Next, Steve is working with a woman who has a history of bulimia and has threatened suicide. Polster follows this demonstration by explaining her work.
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$0.00
Nate Sub 1.1 Price ($100.00 off)
Base Price - $59.00
Ms. Madanes will present a new way of thinking about how injustice in the family can lead to marital and family problems. She will present step by step procedures for discovering an injustice in the family and resolving it effectively so as to solve major problems, violence and depression, panic, child and adolescent problems and sexual abuse.
All expressions of life are multi-layered, including people's descriptions of the problems they bring to therapy. An appreciation of this multi-layeredness of expression presents therapists with a multiplicity of options for therapeutic conversations. How can the multiple layers of expression be identified? How does this contribute to a range of options for re-authoring conversations?
Beginning with what she learned from Fritz Perls, Eric Berne, Virginia Satir and Robert Goulding, Mrs. Goulding will discuss her current method of teaching and practicing psychotherapy.