Educational Objectives:
1) To identify four attitudes that support panic.
2) To list five types of interceptive exposure that can be conducted in the treatment office.
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Educational Objectives:
1) To define the three perceptual positions used with challenging relationships.
2) To describe how to guide clients to forge new understandings with significant others.
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Educational Objectives:
Given a case, name and describe a gestalt technique.
To describe how to regulate the ease or difficulty of a gestalt experiment.
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Eugene Gendlin (2000) demonstrates with two volunteers. The first is guided through feelings of tension in her shoulders and shakiness in her stomach. Gendlin conducts a second demonstration. The next volunteer presents the trauma of a hysterectomy due to cancer. Gendlin concludes with an explanation of his method.
James Bugental (2000) explains the importance of focusing on immediate subjective experiences. Bugental works with Glenda who is experiencing deep guilt about an upcoming divorce. Bugental addresses questions from the audience. A second volunteer explores issues surrounding her recent career change. Bugental explains his approach and answers questions.
Albert Ellis (2000) demonstrates with two volunteers. The first volunteer is angry and intimidated by her supervisors. Humor and imagery are incorporated. The second volunteer feels a need to control others and is angry when she can’t. Ellis uses imagery to correct cognitive patterns and produce an emotional shift.
Alexander Lowen (2000) demonstrates with Ann, who he used as a ten years earlier. She reports that since that first session she has been free of severe asthma attacks. She is now troubled by the death of her father and mother, abuse from her brother, excessive weight gain and the onset of menopause. Lowen guides her through a series of movement exercises.
William Glasser (2000) uses role-play with Marie who is simulating Paul, a male client from her place of employment. Paul has marriage problems. Marie, as Paul, is asked to role-play his wife. Glasser highlights choices, examines the client’s thinking, and focuses on responsible behavior. After the demonstration Glasser explains his work.
Zerka Moreno (2000) emphasizes the importance of spontaneity and creativity while demonstrating with Christi, who is asked to see her family photo and then construct it on stage using volunteers from the audience. These volunteers act as “auxiliary egos.” Following this demonstration Moreno plays all of the characters in a rolereversal she did with her 3 year-old son.
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